Reed Luplau was born in Perth, Australia, and started dancing at 18 months at his mother's studio, Jody Marshall Dance Company. Before graduating from the Australian Ballet School, Reed was invited by then-Artistic Directors Graeme Murphy and Janet Vernon to join the Sydney Dance Company, where he performed and choreographed for five years.
Moving to New York City in 2009, Reed has performed for Stephen Petronio Company, Aszure Barton & Artists, and Lar Lubovitch Dance Company.
After years of performing on Broadway, Reed has recently taken the creative route with theater choreographic credits, including Head Over Heels, Disney Cruise Line, Broadway Bares, and an ASL production of 'Spring Awakening.
Other choreographic endeavors include the films Places, Please, PHISH at Madison Square Garden, Macy's Thanksgiving Day Parade, and The Brooks Brothers 100th Birthday Celebration. In the ballet world, Reed has created works for The Australian Ballet, Sydney Dance Company, and West Australian Ballet.
Reed's performer Theater credits include the original Broadway casts of Moulin Rouge! The Musical, Natasha, Pierre and The Great Comet of 1812. The original revival cast of 'Fiddler on the Roof,' directed by Bartlett Sher and choreographed by Hofesh Schecter. Off-Broadway - 'ONLY GOLD' by Andy Blankenbuehler, David Henry Hwang's 'Kung Fu,' Opera credits include playing the principal role of 'Bosie' in the production 'OSCAR,' directed by Kevin Newbury for the Santa Fe Opera and Opera Philadelphia. Puck in 'A Midsummer Night's Dream' directed by Netia Jones and choreographed by Reed.
Film/TV credits include the role of Theo in Alan Brown's Five Dances, HALSTON, Maisel, Fosse/Verdon, Mozart in the Jungle, The Sixth Borough, and Mao's Last Dancer.
Reed is the co-creator, choreographer, and director of When We Touch, a dance narrative with music by the incomparable LP that explores the relationship of a mother and son in a communist regime damaged by politics and beliefs. When We Touch is in development, more information will be released soon.
Moving to New York City in 2009, Reed has performed for Stephen Petronio Company, Aszure Barton & Artists, and Lar Lubovitch Dance Company.
After years of performing on Broadway, Reed has recently taken the creative route with theater choreographic credits, including Head Over Heels, Disney Cruise Line, Broadway Bares, and an ASL production of 'Spring Awakening.
Other choreographic endeavors include the films Places, Please, PHISH at Madison Square Garden, Macy's Thanksgiving Day Parade, and The Brooks Brothers 100th Birthday Celebration. In the ballet world, Reed has created works for The Australian Ballet, Sydney Dance Company, and West Australian Ballet.
Reed's performer Theater credits include the original Broadway casts of Moulin Rouge! The Musical, Natasha, Pierre and The Great Comet of 1812. The original revival cast of 'Fiddler on the Roof,' directed by Bartlett Sher and choreographed by Hofesh Schecter. Off-Broadway - 'ONLY GOLD' by Andy Blankenbuehler, David Henry Hwang's 'Kung Fu,' Opera credits include playing the principal role of 'Bosie' in the production 'OSCAR,' directed by Kevin Newbury for the Santa Fe Opera and Opera Philadelphia. Puck in 'A Midsummer Night's Dream' directed by Netia Jones and choreographed by Reed.
Film/TV credits include the role of Theo in Alan Brown's Five Dances, HALSTON, Maisel, Fosse/Verdon, Mozart in the Jungle, The Sixth Borough, and Mao's Last Dancer.
Reed is the co-creator, choreographer, and director of When We Touch, a dance narrative with music by the incomparable LP that explores the relationship of a mother and son in a communist regime damaged by politics and beliefs. When We Touch is in development, more information will be released soon.
Photo: Benjamin Rivera Photography
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